Snub was formed in Philadelphia Pa in the fall of 1991 out of the ashes of the local combos Derelict Hotel, Grisly Fiction and Scab Cadillac. Doug Anson of Derelict Hotel fame played guitar and sang while Roger Bodine formerly of Grisly Fiction contributed bass and vocals and Paul Hazlet of Philly legends Scab Cadillac played the drums. Familiar with each other from the Philly scene and eager to collaborate, Doug and Roger brought in songs that the combo expanded upon, developing a very unique and individual sound. They debuted live at The Khyber Pass on March 18th 1992, opening for The Afghan Wigs. This was followed by several other shows at the Khyber, culminating in their final performance opening for Pavement on July 30th 1992. Doug moved to Arizona in August of that year and eventually formed the Gelcaps. Roger would next join Underraga while Paul would go on to play in Mel’s Rock Pile.
90s Philly band with 2/3’s of Grisly Fiction Jeremy Sustare – drums (Flower Girl, Grisly Fiction, Skeeter & the Itch, Angus Khan) & Roger Bodine – Bass (Grisly Fiction, DTO,…
The Gelcaps began as a solo project in 1993 with Derelict Hotel alumnus Doug Anson making improvisational music on a cheap guitar, Casio keyboard and effect pedals. In ’94 he…
Suktub was Roger Bodine (Grisly Fiction, Underraga, DTO) on bass and vocals, John Malloy (Flower Girl, The Scraggs) on guitar and vocals and Jeremy Sustare (Flower Girl, Grisly Fiction, Underraga, Skeeter & the Itch, The Scraggs) on drums. Butkus Demo Tape They are recordings we did with Chuck Hanning who was the first Grisly Fiction…
Formed in late 1985 by guitarist Rob Coye and bassist Roger Bodine (aka Food-Gas) in their hometown of Syracuse, NY, Grisly Fiction is a band that has weathered many changes and continues to progress. Originally using a drum machine and additional guitar by Jeremy Richards, the band played at clubs and parties in and around…
DTO had a sound that was kind of a mix of old Hardcore and Garage rock. Probably because of the influences of all the past local bands the members were in. DTO is made up of Roger Bodine (Grisly Fiction, Underraga, Suktub, Heroics) – Bass / Chris Hunter (Red Paint People, Mothra) – Guitar / …
Angus Khan consists of five members, Jon Graf-bass, Bill Garvey-vocals, Jeremy Sustare-drums, Bill Leifbeit-guitar, and Kyle Ferrier-guitar. From the mid-eighties to the present, the members of Angus Khan have been involved in many different projects, separately and, in one way or another, together. After all these years, they have finally come together to create a “modern” rock creature, so diverse and unheard of, in these days of bland rock radio.
For over 15 years, the members of Angus Khan have been deep in the Philadelphia music scene. Some of the bands they have been involved with are: Philly’s notorious She-Males, the hard and heavy Mama Volume, American Beauty from Colorado, The Wurst from Providence Rhode Island, The Sissys, The Rum Crooks, the furious Rupert Speed, Loadstar, Grisly Fiction, Underraga, The Scrags, and from Connecticut, Up From Eden.
Together, Angus Khan is a wealth of musical knowledge and talent. To say ”They’ve been around the block” is an understatement. They know music and live the life it generates. As you listen to Angus Khan their influences become evident. Their songs crossover many spectrums of sound, from “The Stooges” to “Motorhead”, from “Dead Boys” to “Nick Cave”, from “Bad Brains” to “Soundgarden”, yet they hold their own in originality. The sound of Angus Khan is for the highway, while traveling at high speeds. (Thanks for all the music, flyers, info Jeremy)
I forget when or where Jason, Chris and I first spoke about trying to collaborate; was it at a show at the Khyber? taco tueday at Mom’s? I have zero recollection anyway, we had tried a few years before when I tried out for lead singer in their previous combo Dagobah System. that wasn’t the right fit as they were pretty jammy and had an established mode of band communication. I wasn’t about to jump in and force song arrangements on them and they wouldn’t have let me anyway! also I was in 3 other bands at that time, but I always wanted to play with Chris and I definitely always wanted to be a part of the mystique that Jason had with the legendary Kitschchao. they knew the vick logic tapes as well and being Philadelphia players in Phila bands we had all seen another’s bands for years, played on bills together and been on social scene terms of course (man, Philadelphia was much smaller back then wasn’t it?) so, NO the Dagobah System thrived for quite a bit when the band members eventually all did their vocals and gang vocals on their own (a side note: one of the Dagobah jams we rehearsed [and taped] became a mid-period heroics tune in ‘the Elk’) after I left KeN and the city I swore that I wouldn’t and couldn’t play in another band ever. I just didn’t (still don’t) have the political grace to navigate the scene and the band politics always tested or even ruined relationships and friendships. it’s just alot of fucking work creatively, politically and emotionally . . . had I had some level of outward success and an infrastructure (read: musical career) I could have jumped into something more willingly and I don’t think I SUCK necessarily either, it’s just that audience success never came
I think Jason and Chris were also reticent in the same way as the broke up Dagobah for some personal reasons as well. so before we even played a note I said “no pressure. no restrictions. no set ideas. if we don’t gel let’s not force it” when we finally did get together it was effortless. even with a limited line-up in 2 guitars and a vocal it was clear that we could mesh our ideas and our talent Chris is a fucking genius and JCLo has a punk rock soul (and a great guitar tone). I think they dug my ability to wedge a hook and melody into their progressions we got off on it and decided to become a band after a few weeks plus, these were some of the greatest funnest drunken-ish practices ever. total freeform fun. we became fast friends and solid writing partners right then that first month. now to find a drummer . . .-Marc
the heroics: 12.1999 – 8.2004 the heroics: Marc Beck vocals Chris Hunter guitar Jason Clouser guitar Roger Bodine bass Lenny America drums 1 Matt Kovalchuk drums 2
Formed in late 1985 by guitarist Rob Coye and bassist Roger Bodine (aka Food-Gas) in their hometown of Syracuse, NY, Grisly Fiction is a band that has weathered many changes and continues to progress. Originally using a drum machine and additional guitar by Jeremy Richards, the band played at clubs and parties in and around Syracuse. June 1986 saw the arrival of drummer Chuck Hanning, which pleased everyone who had seen Grisly Fiction’s shows and longed for · real drums to propel the Grisly attack. In July and August 1986,the band recorded their first demos at Grampa Studio in Brooklyn, NY. Jeremy Richards left the group to live in Boston at the end of Summer ’86. In October ’86 Grisly Fiction returned to Brooklyn to record as a three-piece. As a “Power-Noise Trio”, they developed a large and loyal following in Central NY, and were able to land opening gigs for some of the national touring acts that came through town, such as Sonic Youth and Henry Rollins. February 1987 saw the release of Laughing at the Ground, a cassette that illustrated the transitional point when Jeremy R. left for Boston, and Roger left the drum machine at home. During the next eighteen months, Grisly Fiction played many gigs in Central NY, and recorded many songs in Brooklyn, and at Penguin Studio in East Syracuse, NY. In February 1987, they released Live … Ayuh., a cassette recorded by the “post drum machine” Grisly Fiction.
P.O. Box, 71 University Station, Syracuse, N.Y. 13210. ————————————————————————————————-
In August 1988, armed with an album’s worth of recorded tunes, the band moved to Philadelphia, PA. In January 1989, they signed with NY City’s Community 3 label. In March 1989, Comm. 3 released their first record Scrape Face, followed by many promotional gigs throughout the northeast. In August 1989, Grisly Fiction travelled to the 24 track Flood Zone Studio in Richmond, VA, with Comm. 3 mogul Albert Garzon producing. In August and October 1989, the band did their first tours, which took in Bloomington, IN; Madison, WI; Lexington, KY; Iowa City, Rochester, Syracuse, and Boston. At the end of October 1989, drummer Chuck Hanning Left the .band. In February 1990, Jeremy Sustare (aka J-Boy) moved to Philly from Syracuse to take over drum duties. He played his first show with Grisly Fiction after only three weeks in the group. In March 1990, Comm. 3 released C’mon Bean Juice, their second LP. They also recorded a video for the song “Sculpt”, one of the first rock videos to use the state-of-the-art Sony High Definition video format. The next eight months were very busy for Grisly Fiction. While learning old and new material with the new lineup, they played 24 shows in Eastern and Midwest cities, such as Richmond,VA; Washington, DC; Baltimore, MD; Philly, Boston, Cleveland, Chicago, Madison, Fredonia , NY; Minneapolis, and Morgantown, W. VA. Grisly Fiction will be recording a single in December 1990, for February 1991 release. (Thanks for all the music, flyers, info Jeremy)
In 2010, on the occasion of a punk rock reunion show in Syracuse, N.Y. over Labor Day weekend, the band reconvened and prepared some new songs for the event. After a rousing return to performing live, additional shows were arranged and in August of 2011 the band recorded their latest CD “My Emotional Geometry Is Like Spider Webs“.
Grisly Fiction for this performance from Jackie’s show on WKDU was Rob Coye (Crankcase, Phantom Pilots) Gtr and Voc, Chuck Hanning (Crankcase) Drums and Voc and Roger Bodine (DTO, Underraga, Suktub, Heroics) on Bass and Voc. (Sometime after this Jeremy took over for Chuck on drums.) Thanks for the tape Jackie. Live on WKDU (May 16, 1989)
Snub was formed in Philadelphia Pa in the fall of 1991 out of the ashes of the local combos Derelict Hotel, Grisly Fiction and Scab Cadillac. Doug Anson of Derelict…
As in most “music scenes,” everybody who is anybody knows everybody else. In Philadelphia, the same story rings true: we all play shows together, screw each other, get fucked up…
Angus Khan consists of five members, Jon Graf-bass, Bill Garvey-vocals, Jeremy Sustare-drums, Bill Leifbeit-guitar, and Kyle Ferrier-guitar. From the mid-eighties to the present, the members of Angus Khan have been…
crankcase. machine 1 was 1992 – 1995.
rob coye guitars and vocals
marc beck guitar and vocals
rick wright bass and vocals
chuck hanning drums drums and more drums
(the unit continued for a few years with Erwin Michelfelder (of Clabbers fronted Mezmorons’ replacing Marc)
Crankcase hits that spot between SY and fLIPS while sitting alongside Silkworm and Rodan.
the band initially started after a few jam sessions with the trio of Rob Coye, Marc Beck and a pre-Strapping Field Hands Jeff Werner. we had all been friends in our previous bands: Rob’s Grisly Fiction and Marc and Jeff’s Confusion Visits. incidentally, Marc and Jeff’s Vick Logic started at the same exact time
it was apparent that Rob and Marc could display some decent early 90s guitar histrionics, and we decided to become real by adding Grisly Fiction’s first drummer Chuck Hanning along with party companion Rick Wright
we played pretty actively in Philadelphia. notable billings were with US Maple and Babe the Blue Ox and one rousing show at Pi Lam’s Human BBQ with A Place to Bury Strangers
Rick remains active with Phila psych giants Flower Girl (please see their Bandcamp)
Rob Coye did a Grisly Fiction reunion project with gigs and continues playing noise with his Phantom Pilots project as well as instrumental duo Lame Cover Band (2008-forever) and a stints with Steven Cerio’s Small Girl Boils Water (early 2000’s) .
Marc remains retired from musical creativity after projects revelogic and (the) heroics
Chuck enjoys home brewing and jazz combo
please listen to this LOUD. play it LOUD . LOUD. LOUD!!!!
(Thanks for the files and the info -Marc)
crankcase complete studio recordings.
‘Never Apologize or Are You My Friend?’
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