The Clean Live from Johnny Brenda’s in Philadelphia June 6, 2012. Just filmed a few songs – some are not complete and I didn’t have a tracklist so they are most likely not in the order they were played. I first heard the Clean (David Kilgour, Hamish Kilgour (RIP) & Robert Scott) when kdu got the Tuatara – A Flying Nun Compilation in the Mid-80s. Although I instantly became a fan of all the bands on the comp and it opened me up to the whole New Zealand scene, the Clean were my favorite. I soon go the compilation not sure if was album or cd at that point and tried to find anything by them. The one problem of discovering this band this way was they had broken up in 1982, so I figured I would never see them. I did manage to see the ex-members current band (ie. The Bats, The Mad Scene and David’s solo bands). Then they reunited and I got to see them at Maxwell’s and then more new music and tours that brought them to Philly. These vidoe clips were shoot on my phone from their show at Johnny Brenda’s. I wasn’t sure I was going to put them up but with the deeply sad passing of Hamish and no other clips that I could find for that show I decided to add them here.
0:00 – 1:59 – Anything Could Happen 2:00 – 4:45 – Fish 4:46 – 7:13 – The Dream Life U Need A Rubber Soul 7:14 – 12:00 – Getting Older 12:01 – 15:17 – Odditty 15:18 – 17:35 – Tally Ho
A Subtle Plague moved to Philly for a while in the mid 80s from upstate New York before moving on to San Francisco. If I remember right the first time I meet them was at an Agitpop show probably at Dobbs. They had just moved here and soon after began playing all the clubs in Philly and very quickly became part of the scene. They had a very unique sound with world-wide influences that was unlike any other local bands at the time. They were defiantly one of my favorite bands to see live at that time. So, I’ve collected three live tapes all from Philly shows – the first two while they were living here and the third from when they returned in 1990. The first is a live tape they released from Bacchanal on October 21st 1987. The 2nd was a Live on WKDU (not sure of the date of this one – also Thanks Jackie & Diego for the tape) The third is from the Khyber on October 22, 1990. (Thanks Don for this one) As a bonus I’ve added a video about A Subtle Plague from Youtube and a couple of flyers, sticker and tape case images below.
New music is available these days, spawned from the past members of A Subtle Plague under monikers The Durgas featuring Chris & Benji Simmersbach and The Cult Inside My Head with Pat Ryan and Magnus Fleischmann.
This was one of the last live tapes I made with my walkman – it died shortly after this show. This was a show if I remember right that was at a WPRB dj’s house or parent’s house. I’m not sure if I ever knew who’s house it was. We just pilled into a friends car and saw them in this strange setting of a upper middle class house in Princeton NJ. It’s pretty hard to hear the vocals but I wanted to put this up anyway. I hope the band doesn’t mind.
The Mermen are an American instrumental rock band from San Francisco, California formed in 1989.[1][2] They have since moved to Santa Cruz, California.
The group’s sound was originally rooted in surf and psychedelic rock music of the 1960s, although they have made “sincere attempts to get away from the surf music label”[3] and currently delve into many genres, mainly driven by the melodic visions of the band’s founder, songwriter, and guitarist Jim Thomas. The band’s music is entirely instrumental and “does a good job of defying description”.[3] The Mermen perform as a power trio: electric guitar, electric bass, and drums, with occasional guests for live concerts.
From Wikipedia
2 Live tapes from the North Star Bar from early 2000’s -Sorry I didn’t get the song titles,. Thanks to Flipo from the Excuses for the tapes.
The Connells from Chestnut Cabaret on Feb. 16, 1988. Led by guitarist Mike Connell (his brother David is the bassist), this Raleigh, North Carolina quintet possesses a fragile, vaguely Celtic melodic sense that nicely complements the introspective lyrics, making for music that combines the best impulses of Southern guitar jangle and the sensitive singer/songwriter tradition. Trouser Press
The Connells were:
Mike Connell – guitar
George Huntley – another guitar
Doug MacMillan – the singer
David Connell – bass
Peele Wimberley – drums
Jesse Jameson from the Lucys Live on Jackie’s WKDU show – October 1997
In early ’96, Jameson began recording songs as The Lucys, playing both guitar and drums. Guitarist Joe Kim (who played with Jameson in the group Pale) and bassist George Loving filled out the group. Still searching for the right sound, Jameson recorded a few songs playing all of the instruments himself. More recently he recruited onetime Moped member Bret Tobias to play drums and Joey Sweeney on bass. All three configurations can be heard on Anselmo. (City Paper)
Dumptruck, formed in Boston, Massachusetts in 1983 by guitarists and singers Seth Tiven and Kirk Swan, is – for lack of a better turn of a phrase – the band that wouldn’t die. Coming quickly out of the gate in the college radio heyday that was the early 1980’s, critics and fans alike responded to Tiven and Swan’s earliest efforts, 1984’s D is for Dumptruck and 1986’s Positively, with rave reviews. A following quickly grew, but the wear and tear of years on the road led to Swan deciding to part ways with the band in late ’86. Tiven, faced with calling it quits or carrying on did the only thing he knew to do – soldier on. Now based out of Austin, Texas and with a rotating collection of steady bandmates, Tiven has released four studio albums in the years since. From 1987’s critically acclaimed for the country to 2001’s muscular Lemmings Travel to the Sea, Tiven has stayed true to his original muse – powerfully personal songs floating on an endless wave of driving guitar. The new record, Wrecked (2018), is more of the same with, perhaps, a touch more anger and a lot more of the wisdom that comes with having kept Dumptruck alive and vital for all of these years. (From their site)
Seth Tiven – guitar, vocals
Kevin Salem – guitar, backing vocals
Shawn Devlin – drums
Michael ‘Spike’ Priggen – bass
This is a live tape from the 23 East Cabaret, Ardmore, PA on April 11, 1989
SetList:
01 – intro
02 – Can You Please Crawl Out Your Window
03 – Back Where I Belong
04 – Ghost Town
05 – Walk into Mirrors
06 – Wire
07 – Waterwheel
08 – Carefree
09 – Island
10 – Night
11 – Pablo Picasso MediaFire Zip of all files
As I was going to add this I noticed the files were already up on the internet archives:
Dinosaur Jr live tape from City Gardens in Trenton from Febuary 28, 1992. This most likely was the Green Mind touring band with Murph on drums, Van Conner (Screaming Trees) as a 2nd Guitarist, and Mike Johnson on bass.
If you are in Philly and want to keep track of what is going on to Protest the Russian invasion of Ukraine join Philly Stands with Ukraine fb group.
YEEZHAK is a Philly-based rock group, which performs in Ukrainian and English. Musical influences include American indie, kiwi-rock, alternative noise and classic Stones.
The Ukrainian-langauge texts featured in YEEZHAK songs come from poems written by contemporary Ukrainian poets as well as from Ukrainian folklore.
YEEZHAK
Mark Andryczyk – guitars, vocals Yaryna Yakubyak – keyboards, vocals, percussion Roger Bodine – bass Christian Hayes – drums
YEEZHAK in 2022 is part of an Ukrainian-American music project, which has existed for over 25 years, uniting musicians in the US and Ukraine in creative collaborations.
History
Phase 1
YEEZHAK was formed by Mark Andryczyk (Raze, Underraga, Kavune) in 1995 as a project involving musicians from Philly and Lviv, Ukraine. In 1996 Andryczyk recorded the Album Sveter (Sweater) at Galvox Studios in Lviv together with musicians from the legendary Lviv rock groups Mertvyi Piven (Dead Rooster [Oleh “John” Suk, Yaryna Yakubyak, Roman Chaika, Misko Barbara, Liubko Futorskyi]) and Plach Yeremii (Jeremiah’s Cry [Taras Chubai, Sashko Kamenetskyi]). Music for the album was written by Mark Andryczyk while the words belong to contemporary Ukrainian poets Viktor Neborak and Yuri Andrukhovych, as well as 1930s poet Bohdan-Ihor Antonych, among others. The laregly acoustic album, prominently featuring viola and sopilka (fife), was presented at live performances in Ukraine.
In 1998 the second Yeezhak album Vulkanizatsiia (Vulcanization), presenting a harder, noisier sound, was recorded at Lviv’s Studio Leva with the support of the Dzyga Art Association. Featuring the same musicians as on the Sveter recording, plus Vulkanizatsiia’s producer Andriy Piatakov on drums for one track, and the poetry of Ivan Malkovych, Kostiantyn Moskalets, Ihor Rymaruk, Yuri Tarnawsky (The New York Group) and Ivan Franko, the album was launched with several concerts in Ukraine.
Phase 2
Mark Andryczyk and Yaryna Yakubyak married in 1999 and moved to Toronto leading to a break in YEEZHAK’s activity for several years. In the summer of 2005 Andrycyzk gathers YEEZHAKs’ past members and, with the addition of drummer Andriy Nadolskyi (Plach Yeremii), records the EP KhmariPara (CloudSteamPair) at Studio Leva in Lviv and at Taras Chubai’s studio in Kyiv. Guitarist Marian Prystupa (Faino) performed with YEEZHAK at shows in Ukraine that year.
Phase 3
In 2007, Mark and Yaryna moved back to Philly and began playing with Mark’s former bandmates Roger Bodine (Doomed to Obscurity, Underraga, Grisly Fiction) and Christian Hayes (Kavune, Father Jack and His Idle Hours, Nature Films). The new YEEZHAK line-up premiered at a 2008 show at the Ukrainian League of Philadelphia.
YEEZHAK performed acoustically at a poetry event for Viktor Neborak (2005), an evening memorializing the poet Ihor Rymaruk (Shevchenko Scientific Society, NYC, 2008) and at a gathering of prominent Ukrainian-American writers and musicians (Cornelia Street Cafe, NYC, 2009). YEEZHAK also perfomed acoustically at presentations of Mark Andryczyk’s monograph at Dzyga (Lviv, 2015) and at the Ukrainian Museum (NYC, 2015 ).
This latest line-up of YEEZHAK perfomed in 2012 in Philly (with Dora Shoturma of Maiden Creek Lodge lending vocals) and then set off to Ukraine for a concert at the Dzyga Art Association in Lviv in July 20012. Original YEEZHAK member Taras Chubai joined the band on stage at the Dzyga show, playing viola.
In June 2017 this latest line-up of YEEZHAK performed at a concert with Kharkiv, Ukraine’s Serhiy Zhadan and Sobaky v Kosmosi (Dogs in Outerspace) at the Ukrainian League of Philadelphia. Later that summer, on August 18th, YEEZHAK performed at the Slavic Block Party at the Maas Building in Philly, joined by Taras Chubai on viola. In 2019, Mark and Yaryna performed acoustic sets entitled YEEZHAK: Holky Unplugged at concerts in Ukraine (August 18th at Khrystofor in Lviv and August 21st at Vagabundo in Ivano-Frankivsk). At concerts in 2012 and beyond, YEEZHAK performs songs from all three YEEZHAK recordings as well as new songs that will be part of a (hopefully) future album entitled Crossing Dunai.
N.B. Past YEEZHAK members are known to occasionally participate, unannounced, at YEEZHAK concerts worldwide.
Words – Viktor Neborak (1, 2, 5); Miletii Kichura (3); Volodymyr Pavliv (4); Mykhailo Rudnytskyi (6); Mark Andryczyk (7); Bohdan-Ihor Antonych (8); Mykola Vinhranovskyi (9); Yuri Andrukhovych (10)
Mark Andryczyk – Lead vocals, Acoustic guitar Oleh (Dzhon) Suk – Bass Sashko Kamenetskyi – Drums Taras Chubai – Viola, Percussion, Back Vocals Yaryna Yakubyak – Back Vocals, Percussion Misko Barbara – Sopilka, Back Vocals Roman Chaika – Acoustic and electric guitars (1, 8) Liubko Futorskyi – Electric guitar (10)
Recorded at GalVox Sudios – Lviv, Ukraine, 1996 Tape Case Design by Mark Halaway
Words – Kostiantyn Moskalets (1, 2); Ivan Malkovych (3, 6, 10); Ivan Franko (4); Ihor Rymaruk (5); Mark Andryczyk (7, 9); Yuri Tarnawsky (8)
Mark Andryczyk – Lead vocals, Electric and Acoustic guitars Oleh (Dzhon) Suk – Bass Sashko Kamenetskyi – Drums Taras Chubai – Viola, Back Vocals Yaryna Yakubyak – Lead and Back Vocals, Percussion Roman Chaika – Electric guitar Misko Barbara – Sopilka, Back Vocals Andriy Piatkov – Drums (4) Liubko Futorskyi – Back Vocals
Recorded at Studio Leva – Lviv, Ukraine, 1998 Tape Case Design by Mark Halaway
Music – Mark Andryczyk Words – Mark Andryczyk (1, 2, 3, 5); Ihor Rymaruk (4)
Mark Andryczyk – Lead vocals, Electric and Acoustic guitars Oleh (Dzhon) Suk – Bass Andriy Nadolskyi – Drums Yaryna Yakubyak – Lead and Back Vocals, Percussion Taras Chubai – Viola, Electric Guitar, Keyboards Liubko Futorskyi – Lead and Back Vocals
Recorded at Studio Leva – Lviv, Ukraine and Studio Tarasa Chubaia – Kyiv, Ukraine, 2005
The precursor to Tar was a hardcore punk outfit called Blatant Dissent, which formed in DeKalb, Illinois where singer/guitarist John Mohr and drummer Mike Greenlees were attending Northern Illinois University. Joining Mohr and Greenlees in Tar were original bassist Tim Mescher (only until 1991 and who also played for Snailboy), bassist Tom Zaluckyj and guitarist Mark Zablocki. Zaluckyj and Mohr played unique instruments, crafted of aluminum, designed by Ian Schneller of Specimen Products.[2]
To the best of my knowledge all of the music links are for recordings that are out of print but if you enjoy what you hear, buy other records and support the artist(s) and/or labels: if you don't approve of having your material displayed and would like to have it down...
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