Rick Charnoski’s Warm Blood presentation at Spectacle NY with Eric de Jesus reading some old punker stories from Raw Pogo On The Scaffold zine, plus Charno’s early 80s LV skatepunx slideshow, which is further evidence of the Lehigh Valley being the suburban 80s teen punk dream, PA’s Huntington Beach.
Rick Charnoski also directed skate films Fruit of the Vine & Tent City
Watch Warm Blood on Prime Video
Author: user (Page 1 of 27)
Gone was an instrumental trio put together in 1986 by guitarist Greg Ginn. The group was originally rounded out by Andrew Weiss (bass) and Sim Cain (drums) (formerly in Regressive Aid / Scornflakes After recording 2 albums and touring heavily, Ginn disbanded the group in 1987 to concentrate on running SST Records. Weiss and Cain would soon join the Rollins Band. In the early 1990s,
Setlist:
1) Insidious Detraction
2) Peter Gone
3) Rosanne
4) Last Days Of Being Stepped On
5) Climbing Rat’s Wall
6) Turned Over Stone
7)
8)
9)
10) Left Holding The Bag
11)
12)
Regressive Aid was an instrumental band consisting of Simeon Cain (drums), William Tucker (guitar), and Andrew Weiss (bass guitar). Regressive Aid frequently played at City Gardens, a punk rock club in Trenton, New Jersey.
The band later would become Scornflakes, ultimately the same lineup with the addition of a vocalist (Boy White) and a shift into a sound centered on punk, rather than the jazzy-rock dissonance common in songs by Regressive Aid. Following their termination, all of the members of Regressive Aid would become longtime collaborators in the band Ween.
The members of Regressive Aid were featured as characters in the Matt Howarth comic book The Anti-Chair (1983), the title taken from one of the band’s songs. The band also received a plug in Howarth’s graphic novel WRAB: Pirate Television. Cain and Weiss also played in Gone, a three pieced punk instrumental rock outfit, as well as the Rollins Band, while Tucker went on to perform with Ministry in 1989. All three members spent time performing with the supergroup, Pigface, as well.
From Wikipedia, the free encyclopedia
I first discovered Scornflakes at KDU it was only in the last few years I learned of Regressive Aid. Plus I never noticed that members of these bands went on to be Gone, Rollins Band, Pigface, etc. But besides just wanting to play their record because I liked it – the album had a side long side – so it has the secondary use of being a good record to play when you had to run out to the bathroom while doing your show.
Live Tracks from Regressive Aid and Scornflakes
Regressive Aid Live at CBGBs July 1984
Regressive Aid – Effects On Exposed People
Why Settle For Less When You Can Regress
Scornflakes – Scorn In The U.S.A.
Scornflakes – Live at City Gardens 1984 – Plus…
i was down in 3rd st jazz one day in i think 1992 after work and i looked thru a million recs but didn’t see anything interesting – until i saw the the first 2 Cornershop recs in the new bin. “in the days of ford cortina” 7” and the “england’s dreaming” 10”! they both totally caught my eye with the mod targets, the Indian-English faces and the WIIIJA record label name on the back covers. that label’s name rung out with the chime of UK riot grrl – i dont recall now however, how and why i knew that, plus the name Hanif Kureeshi in one of the song titles. are you thick? after sussing all those signifiers, how could i have said no?!?! so i bought them both and rode my bike home, listened to the song “england’s deaming” and then the ford cortina 7”, with the “when i leave like mahatma gandhi i want my ashes strewn all over the Ganges” lyrics, literally 5 times in a row. and then out at 48th & Walton in west philly for dEALERS rehearsal (aka ‘stoned out jam session’). by the time i got out there those songs were already deep in my brain. they were totally empowering and inspiring songs to a filipino-american freak like me. i was instantly obsessed with cornershop. flash forward a few months and a few letters later- letters sent back and forth from Philly to Preston, England and already we were hammering out what was originally going to be a split LP of dEALERS and Cornershop songs. David Chambers, their original drummer came over to the USA to visit his lady Emma who was teaching or something at a summercamp for Brits in upstate NY or somewhere. They came to philly and we hung out tremendously (took them to a WESTON show at the unitarian church on 21st and chestnut, took them up to Kutztown, PA and Hawk Mountain, took them to Bethlehem to see the Original Sins cover “makin time” at the Funhouse – and we even took them to 411 to see a basement practice by the Mark Jackson Jetset (or actually the 411 Blue Ribbon Band, i just made up that Jetset name back then lol). everything was trans atlantic and peachy, but then David soon left or had to leave Cornershop and all plans for a split LP were torn assunder. I even got phone calls from Gary the WIIIJA head honcho who was miffed that Cornershop decided to put out songs in the USA without his permission (i was like ‘what?!’ i never even considered that anybody but the actual people in a band could have any say in how, when, where a band’s songs could appear.) (that sort of pro rock business action was so weird to a punkrock like me). eventually it was mutually agreed upon that we could put a couple of Cornershop’s old 7” songs on a split single with the dEALERS on the other side – the split LP became a split 7” (thus the ‘Jr in the title), released in a threeway tie between W111JA, Easy Subcult and Charles from the dEALERS new label called The Administration. Whats really cool was that it was hand pressed by the punks at Prole Art Threat in Texas. We recorded the dEALERS song “the movie of my life” at the Friz (art di furia’s awesome cavernous 2 floor studio / hang out spot on 12th and walnut, on the night before Charles moved to Vermont. it was one long meandering jammer and if it sounds a little melancholic and wet with tears its because of that context. and it was raining pretty hard. Later i took a recording of Dave from Weston wandering around the unitarian church when David and Emna were there with us at that show, and mixed his monolouge in. ; it seemed fitting since David was there while it was being recorded (on a hand held Walkman with a condensor mic.) and that was that….. ? until Cornershop came to the USA a year or so later and we all hung out a lot in Philly and NYC. and the NYC hangouts got intensely crazed and funny, involving David Byrne (by that point he was Cornershop’s label head honcho), a fucked up hotel in the east village and smoking out way too much all over Central Park during their Summer Stage appearance. i can’t believe that no one died that weekend, or that Tjinder didn’t get mugged or something. (all the debauchery and good times are recounted in an issue of Raw Pogo On The Scaffold, but i can’t recall which one). ? At that point i thought ‘well, that was that!’ ? but fast forward one year and me and Beth are living in Tokyo and very, very removed both physically as well as spiritually from the Philly of the 90s (I mean everything is bright and clean and well-paid and fun), I get an email from some rock management company saying that Cornershop are about to come play in Tokyo for the first time and would I like to get guest listed. So i say yes and then run out the door to sell the 10 remaining Cornershop / dEALERs 7″s I’d brought to japan to Rough Trade Tokyo – to further capitalize on their recent ‘Big Beat’ Brimful of Asha mega success (and you know in Tokyo, the remix of that song of theirs was totally mega). Yanome at Rough Trade (whom i think ran the label 100 Guitar Mania which put out a Photon Band 7” back then, ie. 1997 or 8) immediately bought all of them. But a week later he called me up explaining that the Rough Trade squares wouldnt in good conscience sell them because of how Gary W111JA still felt stiffed by the release (or jealous) and how i should come and retrieve remaining 5 that hadn’t yet sold for ¥75,000. But in return and as an apology he would give Beth & I passes to an all nighter event he ran at a cool little club in Shimokitazawa. And thank god he did because otherwise we never would have seen & heard and met and hung out with The UK SUBWAYS, who at that moment were Tokyo’s rawest, coolest, youngest, smartest and loudest teenage band. And that was that.
-Eric de Jesus EASY / Raw Pogo On The Scaffold
A1 – Cornershop – Waterlogged
A2 – Cornershop – Kawasaki (More Heat Than Chapati)
B – The Dealer – The Movie Of My Life
the way the dealers worked
was this: we would meet in the basement of whichever west philly punk house Charles O’Connor happened to be living in, 2 of us would smoke out & 1 of us would partake in his insanely advanced sugar addition, and then we’d start making noise. charles could already play guitar a bit but Simon & I had theretofore never played our instruments – simon on drums & me on guitar (but a guitar strung with the middle 4 strings only, and thise strings spaced very wide from eachother). our motto was, by neccesity and by happenstance, “songs that are never played more than once” and “everything we do is music”.
the west philly basements in which we would jam, completely separated from ‘the (then) philly scene, completely in our own world, allowed and inspired total 100% freedom and space, especially as we never thought anybody would give us a show at some lame rock bar or offer to put out a record or even ever really hear what we were doing. we recorded every second of every ‘session’. we played only for us. we tried to crack each other up a lot.
the songs on Eastern PA Seccession Movement were all recorded on a tascam 4 track or simply on a Sony Walkman with a condenser mic. they were never played more than once. vocals would just arise out of whomever felt like singing, or whomever was inspired to spaz out in the moment (thus Charles belting “freedom for young o’connor” & Simon spazzing out in “silence not so bad”).
the spoken stuff (in “youth soccer part 1” and “the pot king of bethlehem”) was recorded by andy clees of Uptown Bones fame on his 4 track and later mixed in by art difuria and clees. they are short stories that i wrote in the very early 90s while part of that old Rittenhouse Writers Group millieu. (and there are a few more stories that were mixed into dEALERS jammers too, which never saw the light of day.) Youth Soccer Part 1 was inspired by diner breakfasts on hungover sunday mornings after hanging out at Kutztown PA parties the night before. the Pot King Of Bethlehem is essentially a true story about a weird dude in Bethlehem PA in the 70s & 80s.
that song “the red wine emo” was a product of discovering the awesome tremelo switch on my old Sears Silvertone amp, when we tried to figure out how to cover “how does it feel” by Spacemen 3. but red wine (for me & charles) and emo (for me) were 2 things that still had total control of my 20 something brain (i mean the orig. emo triumverate of the Rites of Spring LP, the Grey Matter ‘take it back’ EP and Hüskers ‘zen arcade’ dbl LP.)
i’m serious when i say: that song still makes me blush …
Freedom For Young O’Connor wound up being adopted, in the past few years, as the title of a fresh cool fanzine by a BARD College undergrad also named O’Connor – look it up. it’s a good ‘zine!
bit when i hear these songs nowadays (in my fuckin 50s! in the 21st century!), and how shambolic and noisey and unfettered they are, i can almost smell the leaf litter and the weed smoke and the scent of sleeveless west philly scenesters wafting outta the bowl in Clark Park, or the smell of concrete on midnight bike rides around Rittenhouse Square after a thunderstorm, or the scent of Simon’s Tahitian Treat and TastyKakes dinner littered around the drums on the floor. and its true – we never ever did play a ‘song’ more than once – because we couldnt have remembered how to replicate one and didn’t have the desire or the time either…
-Eric de Jesus EASY / Raw Pogo On The Scaffold
Dealers Side
01 – The Dealers – Easy Commercial
02 – The Dealers – Youth Soccer Pt. 1
03 – The Dealers – Kid Charlie Horse
04 – The Dealers – The Red Wine Emo
05 – The Dealers – Commercials
06 – The Dealers – Whimsey Scene
07 – The Dealers – Freedom for Young Oconnor (I Cant Hang)
08 – The Dealers – The Pot King of Bethlehem- Pa.
09 – The Dealers – Silence Not So Bad
MediaFire Zip of all files
The Eastern Pennsylvania Secession Movement and how it came to be.
Easy ads were part of the South Bethlehem landscape in the summer of 1989. Wally’s took on any hardcore, punk and weirdo show.
The Easy ads were never not on a table.
Dinosaur Jr. was the only band I recognized.
The art stood out. Tower Records on South Street Philadelphia had the “locust” single by Uptown Bones. The art was a dead giveaway that it was Easy-related. Good art. Good music.
It’s possible that Kev, the one Who Drives was my next purchase. That was at the Philadelphia Record Exchange. Russian Meat Squats is what caught my eye. Easy again. Eric knew the power of a highlighter.
Later in 1991, I began pounding drums so Turnbul AC could be a band. Ajax, the guitar man and one resident of 324 E 4th St., was part of Grime Spikes and Mugface. He was in bands with Eric.
January, 1992, quite a few Lehigh Valley people went to Philadelphia to see Nation of Ulysses at some South Street storefront. Ajax saw Eric outside and introduced me. Eric acknowledged me and that was that. NOU didn’t get to play. The cops shut down the show and people got arrested.
I do not know when Eric and I started talking. He was in Philadelphia. I was in flux. My teaching career was off to a rocky start and every summer meant I was looking for a new job.
It had to be the fanzines. Eric had Raw Pogo on the Scaffold. I had Chumpire. RPOTS dealt in magical realism. I dealt in the literal and the pedestrian. Maybe it was our shared admiration of JT and The Original Sins.
Whatever the case, we were communicating often by the start of 1994. That was a magical year. What incredible record did not come out that year? Ox had a strong set of songs. Our first recording with Fred Weaver turned out well. The Farm Cats and Ernie 7” needed art. Eric did the cover. It had his hand and a touch of Teen Beat. That came out in May. The Don’t Equate a Broken Head with a Watermelon Geek 7” was out in August. Eric did the beautiful, minimalist labels.
Ox quit in November. Eric was playing with the dEalers. Talk about two totally different bands. However, the drummers – Tony and Simon – had awesome intuition and tackled everything with a determination to make it sound good.
Ox had spare tracks. The dEalers had tracks. Why not? We assembled a split LP. Eric and pals handled the pressing details (via A and R in Texas). Eric handled the cover art. Cheap fuck me handled the printing. It shows. Yet it looks good because no printer wants their work to look bad. 500 copies are out there. HeartAttack likened the cover art to a movie and the Ox side to Camper Van Beethoven (at times). It was not a negative review.
The dEalers, to me, classify as night music; perfect when you’re alone and don’t want to sleep. Their music is akin to what I would hear LATE at night on college radio when in my car going from pointless A to pointless B.
Youth Soccer Pt. 1
The Red Wine Emo
The Pot King of Bethlehem, PA
They are timeless and incredible.
As for Ox, the first five tracks and “ox rap” sum up the randomness and awesomeness of being in a band that had no agenda.
I have a couple of copies. I do not see it for sale in the shops where it should be in a used bin. I am not surprised. I am not disappointed.
Chumpire (Greg)
Ox Side
10 – Ox – Another Song About a Lousy Childhood
11 – Ox – Ox-Rap
11 – Ox – Wage Slave
12 – Ox – Ar We Having Fun Yet
13 – Ox – Metal
14 – Ox – Chumbire Ad
15 – Ox – My Left Tooth Hurts
16 – Ox – Stage
17 – Ox – Channel One
18 – Ox – Boohoo 1994
19 – Ox – Commercial
20 – Ox – Ice Cream Dialog
Other Ox Music
80’s Philadelphia punk band with Rick D on vocals, Dan Warhead on Guitar & Bass, Rush & Jim on various instruments including Bass & Drums. This is the only release by Stalin’s Daughter (that I know of). The gone way too early Rick D went on the book lots of shows at Firenze, Upstairs at Nick’s and as co-owner of Tritone. More info on Rick here
Oktoberfest EP
A1 – Talking Shit
A2 – I Just Wanna Be Friends
B1 – Beer City
B2 – End it All
MediaFire Zip of all files
In 1973 metaphysical transporter and singer DAMO SUZUKI left the legendary experimental rock band CAN, to which he gave his voice and energy on some of the bands most ground breaking music albums and eclectic live shows. Going on pilgrimage and a journey for mystic exploration that still lasts on until today, Mr. Suzuki then started his own live music project: The DAMO SUZUKI NETWORK, traveling the world to perform completely improvised live shows together with primarily young and unknown musicians from local psychedelic underground scenes. – https://www.damosuzuki.com/
Sadly we lost Damo Suzuki on February 9, 2024. I very much regret that I never got to see him live. Looking for video of times he played Philadelphia I’m even more upset that I never made it out. I found a couple of his shows here one with both Bardo Pond and Stinking Lizaveta ( I just noticed both videos have the same date either that was a very busy day for Damo or one has the wrong date). The Bardo Pond set is also available as an audio download from archives.org. I’ve thrown in some other things I found including an amazing Can documentary from 1972.
Damo Suzuki Network West Philly Oct.2007
Damo Suzuki performing with Stinking Lizaveta at the MillCreek Tavern, West Philly Oct.25th 2007
Damo Suzuki Network ft. Bardo Pond (excerpt) Live @ The Rotunda – Philadelphia, PA [10.25.07]
(See full video info below) Bardo Pond’s photo Page
Audio FIle from Archives.org
CAN FREE CONCERT (dir. Peter Przygodda, 1972)
Damo Suzuki Network ft. Bardo Pond (excerpt) Video Info
General Info
————–
Band: Damo Suzuki Network ft. Bardo Pond
Place: Live @ The Rotunda – Philadelphia, PA
Date: October 25th, 2007 [10.25.07]
Length:
Position: center
*******************************
Recording
————–
Camera: Panasonic AG DVX100B
Tape: MiniDv
Video Settings: SP – Widescreen – 24p
Audio Settings: 16 bit – Stereo – Sony ECM-MSD1 Mic
*******************************
Ripping & Saving
————–
Software: Vegas Video 7
Dimensions: 720×416
Audio: 224kbps
File Type: .mpeg > Divx converter
*******************************
Show Notes:
————–
Singer of Can collabs with locals Bardo Pond to create a near two hour improv jam session. This was by far the greatest psych show I’ve ever been to.
Everything by shlacking
video@eattapes.com
eattapes.com
Time for the Dealers! Looking back on all the great, grimey 90s Philly bands, the Dealers still sound apart from the scene. The improv/free jamming trio of Simon, Eric D and Charles were the best house party/basement/backyard of the time. Clouds of skunky smoke and red wine lipped smiles and confused looks all come flooding back listening to this CD that Eric Z released on his Low Orbit label back in… 95? 96?
So very of a time, but so out of time and timeless, these jams hold the heck up! Shimmering guitar, Moss Icon-ish peaks and valleys of bliss to overblown Spacemen 3 feedback howls to chopped up noisy bursts, acoustic strum blips, all mixed and recorded strictly lo fi with tape warbles ala Lee Scratch Perry and a bit of silliness. One of the few times “spoken word” is not a distraction or a dis. Add to that, commercials for long lost Philly periodicals like Raw Pogo, Little Brother’s Almanac and Nice Pooper and you get an audio snapshot of a time when bike messengers ruled the world and everybody smoked cigarettes.
-Andy P
is the getting it together gone LP
01 – Andrew’s Wings
02 – Youth Soccer Pt. 2
03 – Sun Rise For Davis
04 – Sunset At Camp Mischief
05 – My Religion Belief Is
06 – The Vermont Getaway
07 – Charles Is Lost Then Found/Millionaire Hair/I Am You (live from the House of Toast – 48th & Walton)
08 – Raw Pogo On The Scaffold ‘zine commercial
09 – Amusia 1992
10 – Little Brother’s Almanac ‘zine Commercial
11 – I Love You Again & Again
12 – Easy Subcult Lapan Commercial
13 – Nice Pooper ‘zine Commercial
14 – Mau-Mauing The Scenesters / album credits run out….
Boston’s Pixies Live from City Gardens from September 29th 1989, which was a few months after Doolittle was released.
Thanks for the Live tape files Don Sheluga
01 – Bone Machine
02 – Cactus
03 – Caribou
04 – Levitate Me
05 – Dancing the Manta Ray
06 – Gouge Away
07 – River Euphrates
08 – Gigantic
09 – There Goes My Gun
10 – No – 13 Baby
11 – Crackity Jones
12 – I Bleed
13 – The Holiday Song
14 – Nimrod’s Son
15 – Isla de Encanta
16 – Debaser
17 – Dead (Fascination Street intro)
18 – Hey
19 – Monkey Gone to Heaven
20 – Mr – Grieves
21 – Where Is My Mind?
22 – Wave of Mutilation
23 – Vamos
24 – Tony’s Theme
25 – Tame
26 – Into the White
Size queen was a revolutionary Gay Punk Rock Band based in Philadelphia. It was Comprised of 4 Sisters. Vocalists And Guitarists Joe Ofalt (Dead Joe) & Ray Doskus (Gay Ray). On drums the Incomparable Sky Kilshlo (The Heathens, Strapping Field Hands, Informed Sources). And on bass Louis Cali the world’s queerest straight man.
In the early 90’s Size Queen brought so much fun to the east coast punk rock music scene. Their bouncy fast-paced punk rock beats, screeching vocals and fun playful banter lightened the darkness of their lyrical themes. Which often focused on loss, death, and the struggles of growing up gay in America.
Sadly Ray & Sky are no longer with us but their memories live on in the music of size queen. -from the Size Queen Youtube page
I’ve collected their 7 inch and YouTube videos of their Sour Puss tape and a Live on Jackie’s show on WKDU. For more videos check out the Size Queen’s YouTube page here
Size Queen Likes You 7″
01 – Size Queen Likes You
02 – Uncle
MediaFire Zip of all files
Sour Puss – Full Album
WKDU Radio – Size Queen Set
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