Contents Under Pressure 7 inch compilation from Rotten House Records in 1998 with 4 Bands: The Syphilitics (Cincinnati Ohio), The Piss Shivers (Boyertown), Just A Product ( Varna, Bulgaria) & The Fux (Lehigh Valley.).
Thanks for the tape files Brett Noise Addiction II
Wishniaks Live on WKDU from sometime in 1989 on Jackie’s show.
It was a very long time ago. It may have been our first performance for radio. I know we were psyched to be there. I remember the headphone mix sounding nothing like us and was a bit thrown by that. We played everything really fast, or sped up during tunes, which was kind of our m.o. Nice to hear what Jim Hostetter was doing on guitar and vocals. We always made such a racket live that I could never really tune in to what he was doing. This set is the band after our first e.p. came out and we were getting songs and our chops together for recording our album in Spring of ‘90. “Left in the Dark” is a cover of the Vertebrats. – except for the Vertebrats cover, all words and music by me, publishing: Bang Quack Music. Hostetter took some lyrical liberties live a la Westerberg. – Andrew Chalfen
Latimer was a fixture on the local scene in the mid-1990s, thanks to frequent live shows and tape, 7 inch releases plus later a pair of memorable albums on the World Domination record label. The band — which at various times included singer/guitarist Geoff Doring (who sadly passed away in 2005) – bassist Dylan Cotton – drummer Rob Sherman – guitarist/singer Rich Fravel (Uptown Bones, Mt Vengeance, Ashtabula, Blue) and guitarist Kevin Morpurgo (Dandelion).
This is an early 6 song demo tape called Ted Morgan Muscle Car in the band at this time was Rich, Dylan, Geoff & Spidey. There are little excerpts of music in between the songs.
Pedestrian Angels included Sam Steinig on Keyboards and Vocals, Eddie Beinlich on Drums, Henry on Vocals and Harmonica, Leonard on Bass and Rainy Orteca on Guitar. The band didn’t actually have an official name but Pedestrian Angels was one that was suggested and considered. They practiced in the basement of the Big Brothers Big Sisters building on N.13th Street where some of the members worked and where this practice was recorded. Pedestrian Angels only existed for two and a half months, in 1988, and never played a live show. In 1992 Sam and Eddie would start the band Mondo Topless. After Pedestrian Angles, Rainy played in the Philly bands Baby Flamehead and Gimme before moving to Brooklyn where she played bass for Joan Osbourne in 1995 and since 2004 can be heard playing bass in the band Joan As Police Woman.
Thanks for the tape files Brett Noise Addiction II
Note: I didn’t have any kind of image for this post so I made a wings of desire (angels) pedestrian sign – this is nothing anyone in the band had anything to do with
I forget when or where Jason, Chris and I first spoke about trying to collaborate; was it at a show at the Khyber? taco tueday at Mom’s? I have zero recollection anyway, we had tried a few years before when I tried out for lead singer in their previous combo Dagobah System. that wasn’t the right fit as they were pretty jammy and had an established mode of band communication. I wasn’t about to jump in and force song arrangements on them and they wouldn’t have let me anyway! also I was in 3 other bands at that time, but I always wanted to play with Chris and I definitely always wanted to be a part of the mystique that Jason had with the legendary Kitschchao. they knew the vick logic tapes as well and being Philadelphia players in Phila bands we had all seen another’s bands for years, played on bills together and been on social scene terms of course (man, Philadelphia was much smaller back then wasn’t it?) so, NO the Dagobah System thrived for quite a bit when the band members eventually all did their vocals and gang vocals on their own (a side note: one of the Dagobah jams we rehearsed [and taped] became a mid-period heroics tune in ‘the Elk’) after I left KeN and the city I swore that I wouldn’t and couldn’t play in another band ever. I just didn’t (still don’t) have the political grace to navigate the scene and the band politics always tested or even ruined relationships and friendships. it’s just alot of fucking work creatively, politically and emotionally . . . had I had some level of outward success and an infrastructure (read: musical career) I could have jumped into something more willingly and I don’t think I SUCK necessarily either, it’s just that audience success never came
I think Jason and Chris were also reticent in the same way as the broke up Dagobah for some personal reasons as well. so before we even played a note I said “no pressure. no restrictions. no set ideas. if we don’t gel let’s not force it” when we finally did get together it was effortless. even with a limited line-up in 2 guitars and a vocal it was clear that we could mesh our ideas and our talent Chris is a fucking genius and JCLo has a punk rock soul (and a great guitar tone). I think they dug my ability to wedge a hook and melody into their progressions we got off on it and decided to become a band after a few weeks plus, these were some of the greatest funnest drunken-ish practices ever. total freeform fun. we became fast friends and solid writing partners right then that first month. now to find a drummer . . .-Marc
the heroics: 12.1999 – 8.2004 the heroics: Marc Beck vocals Chris Hunter guitar Jason Clouser guitar Roger Bodine bass Lenny America drums 1 Matt Kovalchuk drums 2
Oblivion was formed in Philadelphia in the fall of 1984. Originally, the band was the four-piece lineup of Steve (who had formerly been bassist in YDI), Marc (ex-Kremlin Korps and Vatican Commandos), and Mick (formerly of Wasted Talent), with Todd Cote on vocals. After Todd left the band, Dave replaced him as singer, and Fil was brought on as second/lead guitarist. Oblivion played frequently in the Philly punk/hardcore scene between 1984-86, finally breaking up in late ’86.
The basic tracks for these songs were laid down at Philly’s Spectrum Studios in 1985, and then finished (with some overdubs) in 1986.
The image accompanying the first song in this video is a sticker that was printed at the time, while the photo appearing with the second track is a 1986 group shot.
Dave Wynter: vocals
Steve Lukshides: guitar
Fil Cerny: lead guitar
Marc Fernich: bass
Mick Begnal: drums
Live Kennel Club – February 19, 1986
This show was recorded at Philadelphia’s Kennel Club on February 19, 1986 and was one of our last, if not the last show. This gig didn’t start until about 1 AM due to equipment breakdowns that required trips in freezing cold weather for spare parts. Hopefully, the few hardy souls that stayed felt it worth their time. Members of the band were:
Mick Begnal – drums (also of Wasted Talent fame)
Fil Cerny – lead guitar
Marc Fernich – bass (ex-Kremlin Korps & Homo Picnic)
Steve Lukshides – rhythm guitar (ex-Y DI bass player)
Dave Wynter – vocals
Set List:
1. Intro
2.
3. Heavy Hand
4. Dolled Up
5.
6. 6000 Years
7. Magic Theatre
8. Judgment Day
9.
10.
11. Headhunter
12. Forty Days
Grisly Fiction was formed in the mid 1980’s in Syracuse, NY. The band moved to Philadelphia, PA in 1988 and signed with Brooklyn based label Community 3 Records later that year. Their debut EP “Scrape Face” was released in 1989 and was well received even earning a Futures Pick designation from CMJ. The band toured the Northeast, Midwest and parts of the South in support of the disc, playing with up and coming bands such as Slint, The Jesus Lizard and Fugazi in the process.
The band released their second Comm 3 album “C’mon Bean Juice” in 1990 and again toured the Northeast and Midwest. After releasing the “Electrolytes”/”Dear Meat” 7″ single in 1991 the band called it quits.
In 2010, on the occasion of a punk rock reunion show in Syracuse, N.Y. over Labor Day weekend, the band reconvened and prepared some new songs for the event. After a rousing return to performing live, additional shows were arranged and in August of 2011 the band recorded their latest CD “My Emotional Geometry Is Like Spider Webs“.
Grisly Fiction for this performance from Jackie’s show on WKDU was Rob Coye (Crankcase, Phantom Pilots) Gtr and Voc, Chuck Hanning (Crankcase) Drums and Voc and Roger Bodine (DTO, Underraga, Suktub, Heroics) on Bass and Voc. (Sometime after this Jeremy took over for Chuck on drums.)
Thanks for the tape Jackie.
First of two PA comps from Distortions Records come loaded with great garage rockers for info on bands on the comp and other 60s garage check out Garage Hangover.
To the best of my knowledge all of the music links are for recordings that are out of print but if you enjoy what you hear, buy other records and support the artist(s) and/or labels: if you don't approve of having your material displayed and would like to have it down...
Email Me @