I am in the process of digitizing a bunch of live on WKDU tapes from Marina – she had a lot of bands on her radio show in the 90s and mostly they have been un-shared until now. To start off here is More Fiends live on WKDU from February 16, 1999.
I believe this is the last lineup for More Fiends (?) with Allen Fiend = bass, Elizabeth Fiend = side guitar, Bob Fiend = guitar (currently in the Pogos), Dave Fiend = drums (ex Kitschchao, Belligerent)
Philadelphia Band Crash Course in Science from the Lee Paris/PCHA benefit show – Houston Hall, U of Penn 05/03/96
The show was a benefit in honor of the recently passed DJ Lee Pairs and proceeds went to the Philadelphia Community Health Alternatives (PCHA) which was a health clinic that served the local lesbian and gay community in the 80’s.
Crash Course in Science are an American post-punk band. The band was formed in 1979 in Philadelphia by Dale Feliciello, Mallory Yago and Michael Zodorozny. They avoided the sounds of conventional instrumentation by using toy instruments and kitchen appliances to augment distorted guitar, drums and synthesised beats.
For more information on Crash Course in Science – see this interview from the Key
Butterfly Joe Live on Marina’s show from WKDU.
They formed after the breakup of the Dead Milkmen in 1995. Made up of ex-Dead Milkmen Joe Genaro & Dean Sabatino, ex-Baby Flamehead Andy Bresnan and bassist Joe Quigley. They released one self-titled cd in 1999 which had it’s release show soon after this live broadcast. Marina also interviewd them which you can listen to here
Besides the re-formed Dead Milkmen both Dean and Joe are currently playing in the super-melodic and original indie instrumental rock music band I Think Like Midnight
The National Wrecking Company gathered around singer songwriter, Lars Din in the early 90s in West Philly. The band featured Mike Watson on mandolin and electric guitar, Gordon Rice on bass, Cheshire Agusta (Stinking Lizaveta ) on drums, and Glendon Jones on fiddle. We played every Sunday for several years at Cafe Cairos, 40th & Baltimore Ave., Philly and Fridays at Sine Cafe in Manhattan. Performances often lasted until the wee hours if not all night and included many roving sit-in musicians. We loved and hated each other in equal measures. Describing music I’m involved with is a job I normally leave to others but I’ll make an exception. The National Wrecking Company created and clung for dear life to our own form of post Dylan urban swamp pop chaos. Lars wrote a good lyric and constructed some decent melodies we could throw our axes at.
– Cheshire Agusta 01 – Sally Shroud of Manes 02 – Kuduz 03 – Hamburger Passion 04 – Gillateen 05 – Screaming 06 – Serial Killer 07 – Roberts 08 – Blues Walking 09 – Consider Yourself
Nightbreed consisted of Justin Kolb on bass, Todd Kinckener on guitar, Steve Faulkner on drums, Jon Walsh on vocals. The band were from Boyertown PA and existed for only around a year or so between 1992-1994. They organized and played a few shows at the Odd Fellows Hall in Boyertown as well as at fire halls around their hometown. In 1993 they recorded a 10-song tape at Cedric Rockgod’s Rippoff Studios which they sold on cassette at their shows. After the band split up Todd formed Generation 13, Steve joined Vomiting Leprechauns and then the Quartermanes, Justin Kolb joined Figurehead for a few years before moving to Austin Texas and can heard playing upright bass on the Jesse Dayton & Brennen Leigh “Holdin’ Our Own” CD from 2007, and Jon Walsh sang and played bass in another band named Disillusioned (during the late 90s and early 00s), sadly he died in 2010.
The DYS show is from Boston Night at Love Hall. SS Decontrol, Jerry’s Kids and F.U.’s played. DYS took its name from the Department of Youth Services.
After DYS broke up. co founder Jonathan Anastas became a founding member of Slapshot. Dave Smalley went on to sing for Dag Nasty, ALL and Down By Law, before founding Don’t Sleep.
Thanks for the tape files Brett Noise Addiction II
To the best of my knowledge all of the music links are for recordings that are out of print but if you enjoy what you hear, buy other records and support the artist(s) and/or labels: if you don't approve of having your material displayed and would like to have it down...Email Me @